| Opus 0a* |
Fantasie over ‘In Holland staat een huis’ (1936) “Fantasia“, for piano solo |
| Opus 0b* |
Metaalbewerkers (1937) “Metal-workers“, marching-song for tenor and piano (‘Metaalbewerkers’ by L. van Delden) |
| Opus 0c* |
Fantasie II (1939) “Fantasia II“, for piano and string orchestra |
| Opus 1 |
L’amour (1939) “Love“, four songs and three interludes for soprano, flute, clarinet, violin, viola and violoncello [15′] (‘Elégie’ & ‘Les Roses de Saïdi’ by M. Desbordes-Valmore, ‘Sonnet IX’ & ‘Sonnet XXIV’ by L. Labé) |
| Opus 2 |
In Nachtschaduw (1940) “In Night Shadow“, song for soprano and orchestra [7′] (‘In Nachtschaduw’ by P.C. Boutens) |
| Opus 2a* |
Esercizio per Pianoforte II (1940) for piano solo |
| Opus 3 |
Stuk (1942) “Piece“, for piano, 2 violins and viola [3′] |
| Opus 4 |
Suite (1939) for viola and piano [12′] |
| Opus 5 |
Trois Mélodies (1939/1940) “Three Songs“, for bass and piano [6′] (‘La Musique’ by C. Baudelaire, ‘Chanson d’Automne’ & ‘La Lune Blanche’ by P. Verlaine) |
| Opus 5a* |
‘t Amsteldamsch Minnebeeckje (1940) “The Amsterdam Love Brooklet“, arrangement for tenor and piano (”t Amsteldamsch Minnebeeckje’ by Th. Verdonck) |
| Opus 5b* |
Vier Liederen uit ‘Kaf’ (1941) “Four Songs from ‘Chaff’“, for bass and piano [3′] (‘Kaf’ by J. Greshoff) |
| Opus 5c* |
A Cassandre (1941) “To Cassandra“, song for bass and piano (‘A Cassandre’ by P. de Ronsard; identical to ‘Mignonne’, opus 7e (1944), and published under that title) |
| Opus 6 |
De Nachtegaal (1942) “The Nightingale“, musical play in five acts for actors, chorus and piano (libretto by L. Engelander, after H.C. Andersen’s fairy-tale) |
| Opus 7a |
Ups and Downs (1944) for piano solo |
| Opus 7b |
Ups-Downs-Ups (1944) for piano, violin and viola [4′] |
| Opus 7c |
Nacht (1944) “Night“, for piano solo |
| Opus 7d |
Trio (1941/1944) for piano, violin and viola [4′] |
| Opus 7e |
Mignonne (1944) “Sweetheart“, song for bass and piano (‘A Cassandre’ by P. de Ronsard) |
| Opus 8 |
De Duivel in het Gemeentehuis (1945) “The Devil in the Town Hall“, ballet in three acts for 2 pianos [25′] |
| Opus 9 |
Symbool (1945) “Symbol“, ballet music for 2 pianos |
| Opus 10a |
Drie Gedichten (1945) “Three Poems“, for speaker and piano (poems by E. Fischer) |
| Opus 10b |
Drie Gedichten (1945) “Three Poems“, for speaker and piano (poems by G. den Brabander) |
| Opus 11 |
De Gouden Zwaan (1945) “The Golden Swan“, ballet in three acts for flute, percussion, piano, 2 violins and violoncello |
| Opus 12 |
Concertstuk (1943/1945) “Concertstück“, for piano and orchestra (unfinished) |
| Opus 13 |
Zingende Soldaten (1945) “Singing Soldiers“, song for bass and piano (‘Zingende Soldaten’ by M. Nijhoff) |
| Opus 14 |
Ballet (1946) divertimento for flute, bassoon, viola and guitar [9′] |
| Opus 15 |
De Pascha en de Beer (1946) “The Pasha and the Bear“, ballet music for small orchestra (score lost) |
| Opus 16 |
Strofe uit Bezet Gebied (1947) “Strophe from Occupied Territory“, for mixed chorus a cappella (‘Strofe uit Bezet Gebied’ by M. Nord) |
| Opus 17 |
Twee Stukken (1947) “Two Pieces“, for violin and piano [8′] |
| Opus 18 |
Wie belt daar zo laat? (1947) “Who’s that at the door so late?”“, Christmas song for children’s voices and piano (‘Wie belt daar zo laat?’ by A.M.G. Schmidt; published in the newspaper ‘Het Parool’) |
| Opus 19 |
Rubáiyát (1948) for mixed chorus with soprano and tenor solos, percussion and 2 pianos [15′] (from: ‘Rubáiyát’ by O. Khayyám/E. FitzGerald) |
| Opus 20 |
Zingende Soldaten (1949) “Singing Soldiers“, for male chorus a cappella [3′] (‘Zingende Soldaten’ by M. Nijhoff) |
| Opus 21 |
Twee Voorwoorden (1949) “Two Prefaces“, two songs for soprano and piano [4′] (‘Over Muziekgeschiedenis’ (‘On Musical History’) & ‘Over Kleine Villatuinen’ (‘On Small Villa Gardens’); included in ‘Samenklank (‘Harmony’) – Volume I’; published by Broekmans & Van Poppel, Amsterdam, The Netherlands) |
| Opus 22a |
Kleine Mars (1948) “Short March“, for piano four hands, percussion and violins [4′] |
| Opus 22b |
Allegretto (1949) for small orchestra [4′] |
| Opus 22c |
Scherzo (Rondo) (1949) for piano and string ensemble [3′] |
| Opus 23 |
Partita Piccola (1949) for mixed chorus a cappella [10′] (wordless vocal lines; published by Edition Peters, New York, U.S.A.) |
| Opus 24 |
Sonata per Pianoforte (1949) for piano solo [12′] |
| Opus 25 |
Twee Liederen (1950) “Two Songs“, for baritone and piano [4′] (‘Mélopée’ & ‘Polonaise’ by P. van Ostayen) |
| Opus 25a |
De Dans (1950) “The Dance“, for male chorus a cappella (wordless vocal lines) |
| Opus 26 |
Introduzione e Danza – ‘Judith’ (1950) ballet music for flute, clarinet, piano, violin, viola and violoncello [9′] |
| Opus 27 |
Duo per Flauto ed Arpa (1950) for flute and harp [10′] |
| Opus 28 |
Introduzione e Allegro – Concerto Piccolo (1951) for violin, piano and orchestra [13′] |
| Opus 29 |
Een Amsterdamsch Lied (1951) “Song of Amsterdam“, for mixed chorus and piano [10′] (‘Een Amsterdamsch Lied’ by J. Campert) |
| Opus 29a |
Vocalise – sur ‘A’ (1951) song for mezzo-soprano and piano [4′] |
| Opus 29a-bis |
Vocalise (1951/2000) arrangement of Opus 29a for violoncello and piano [4′] (by D. Hochscheid & F. van Ruth) |
| Opus 30 |
Kleine Suite (1951) “Short Suite“, for 12 harps [11′] (composed jointly with M. Flothuis) |
| Opus 31 |
Ouverture ‘De Koperen Ploert’ (1951) “The Copper Scourge“, overture for 7 wind instruments, percussion, violoncello and double-bass [5′] (score lost; all parts surviving) |
| Opus 33 |
Concerto per Arpa ed Orchestra (1951/1952) for harp and orchestra [24′] |
| Opus 33 |
Het Spoorboekje (1952) “The Railway Time-table“, for male chorus a cappella [7′] (published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 34 |
De Stroom – Mei 1940 (1952) “The River – May 1940“, symphony in five movements for soprano, mixed chorus, 2 flutes, 2 oboes, clarinet, horn, trombone, percussion and piano [31′] (‘De Stroom – Mei 1940’ by J. Prins) |
| Opus 35a |
Hugo’s Garden (1952) filmscore (score lost) |
| Opus 35b |
Hugo and the House of Europe (1952) filmscore [3’30”] (score lost) |
| Opus 36 |
Sonatina per Sassofono Contralto e Pianoforte (1952) for alto-saxophone and piano [9′] |
| Opus 37 |
Zangerslied (1952) “Singers’ Song“, three versions: for female, male or mixed chorus a cappella [2′] (‘Zangerslied’ by L. van Delden) |
| Opus 38 |
In Memoriam (1953) for orchestra [10′] |
| Opus 38-bis* |
In Memoriam (1953/2003) arrangement of Opus 38 for wind band [10′] (by A. Zwijgers; published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 39 |
Sinfonia Giocosa – Sinfonia II (1953) for orchestra [20′] |
| Opus 40 |
De Stroom – Mei 1940 (1954) “The River – May 1940“, symphony in five movements for soprano, mixed chorus and orchestra [31′] (‘De Stroom – Mei 1940’ by J. Prins) |
| Opus 41 |
Vier Stukken (1954) “Four Pieces“, for piano solo [12′] |
| Opus 42 |
Notturno per Arpa (1954) for harp solo [5′] (published by A. Lengnick & Co./Complete Music, London, U.K.) |
| Opus 43 |
Strijkkwartet I (1954) “String Quartet I“, for 2 violins, viola and violoncello [18′] |
| Opus 44 |
Trio per Orchestra d’Archi (1954) for string orchestra [13′] |
| Opus 45 |
Sinfonia III – ‘Facetten’ (1955) “Facets“, for orchestra [16′] |
| Opus 46 |
De Vogel Vrijheid (1955) “The Bird of Freedom“, oratorio for soprano, baritone, mixed chorus, children’s chorus and orchestra [45′] (‘De Vogel Vrijheid’ by J.W. Schulte Nordholt; published by Stichting ‘Zingende Stemmen’, Amsterdam, The Netherlands) |
| Opus 46a |
Lied voor Scapino (1955) “Song for Scapino“, for children’s voices and piano (‘Lied voor Scapino’ by A.M.G. Schmidt) |
| Opus 47 |
De Goede Dood (1955) “The Good Death“, two songs for mezzo-soprano and piano [9′] (‘De Goede Dood’ by P.C. Boutens, ‘Lied om den Blijen en Onvoorzienen Dood’ by M. Gijsen) |
| Opus 48 |
Impromptu (1955) for harp solo [7′] |
| Opus 49 |
De Ware Vriend (1955) “The True Friend“, incidental music for clarinet, bassoon, horn, trombone, percussion and double-bass (‘Il Vero Amico’ by C. Goldoni; score surviving in microfilm-print) |
| Opus 50 |
Het Geheim van den Idioot (1955/1956) “The Idiot’s Secret“, incidental music for clarinet, percussion, piano, violin and violoncello (‘Het Geheim van den Idioot’ by C. Veth; score lost; parts for clarinet, percussion and violoncello surviving) |
| Opus 51 |
Lucifer (1956) incidental music for mixed chorus, 4 horns, 3 trumpets and timpani (‘Lucifer’ by J. van den Vondel) |
| Opus 52 |
Tij en Ontij (1955/1956) “Time and Tide“, ballet music for orchestra [20′] (also version for 2 pianos) |
| Opus 53 |
Sonatina Eroica (1956) for piano solo [7′] |
| Opus 54 |
Concerto per Tromba ed Orchestra (1956) for trumpet and orchestra [18′] |
| Opus 55 |
Macbeth (1956/1957) incidental music for flute, oboe, clarinet, bassoon, 4 trumpets, timpani, percussion and voice/electronics (‘Macbeth’ by W. Shakespeare) |
| Opus 56 |
Sinfonia IV (1957) for orchestra [31′] |
| Opus 57 |
Joseph in Dothan (1957) incidental music for flute, oboe, bassoon and horn (‘Joseph in Dothan’ by J. van den Vondel) |
| Opus 58 |
Quartetto (1957) for flute, violin, viola and violoncello [15′] |
| Opus 59 |
Sonata a Tre (1957) for flute, cor anglais and bassoon [5′] |
| Opus 60 |
Ouverture voor een Feestdag (1958) “Overture for a Feast-day“, for orchestra [10′] |
| Opus 61 |
Bartókiana (1958) for piano four hands plus a fifth hand [8′] |
| Opus 62 |
Uilenspiegel-variatie (1958) “Eulenspiegel Variation“, for 2 violins and orchestra [2′] (included in ‘Album’, 11 variations on an Eulenspiegel theme of R. Strauss) |
| Opus 63 |
Sonata per Violoncello (1958) for violoncello solo [18′] |
| Opus 64 |
Concerto per Due Oboi ed Orchestra (1959) for 2 oboes and orchestra [19′] |
| Opus 64a |
Pantomime (1959) for orchestra [3′] |
| Opus 65 |
Sinfonia V (1959) for orchestra [20′] |
| Opus 66 |
Concerto per Pianoforte ed Orchestra (1960) for piano and orchestra [20′] |
| Opus 66a |
Humoreske (1960) “Humoresque“, for violin and piano (included in ‘Let’s Play Together – Volume III’; published by Broekmans & Van Poppel, Amsterdam, The Netherlands) |
| Opus 66b |
Klein Duo (1960) “Small Duet“, for 2 violins (included in ‘The Positions (Violin) – Volume IIIA’; published by Broekmans & Van Poppel, Amsterdam, The Netherlands) |
| Opus 67 |
Piccolo Concerto (1960) for 12 wind instruments, timpani, percussion and piano [10′] |
| Opus 68 |
Joseph in Egypten (1960) “Joseph in Egypt“, incidental music for soprano, mezzo-soprano, flute, oboe, bassoon, horn, trumpet, trombone and percussion (‘Joseph in Egypten’ by J. van den Vondel) |
| Opus 69+81 |
Sinfonia VI (1961/1963) for orchestra (1st & 2nd movements: Opus 69 (1961); 3rd movement: Opus 81 (1963)) |
| Opus 70 |
Intrada e Danza (1961) for 6 harps [7′] |
| Opus 71 |
Concerto per Due Orchestre d’Archi (1961) for 2 string orchestras [20′] |
| Opus 72 |
Drie Sonnetten van Shakespeare (1961) “Three Sonnets by Shakespeare“, three songs for contralto and piano [9′] (Sonnet XLIII ‘When Most I Wink’, Sonnet XLVII ‘Betwixt Mine Eye And Heart’, Sonnet XLIV ‘If The Dull Substance Of My Flesh’ by W. Shakespeare) |
| Opus 73 |
Anthropolis (1962) hymn in five movements for contralto, baritone/narrator, mixed chorus, speaking chorus and orchestra [40′] (‘Anthropolis’ by J. Wit) |
| Opus 74 |
Tien Kerstliederen (1961) “Ten Christmas Carols“, arrangements for contralto and piano (score lost) |
| Opus 75 |
Draaidans (1962) “Dreher“, for wind band, percussion, piano, xylophone and double-bass [2′] |
| Opus 76 |
Concertino per Due Arpe (1962) for 2 harps [12′] |
| Opus 77 |
Icarus (1962) radiophonic oratorio in three parts for soprano, contralto, baritone, narrator, mixed chorus, orchestra and electronics [50′] (text compiled from various sources, i.a. Ovid, Lao Tse, Euripides and Ecclesiastes) |
| Opus 78 |
Dierlijke Suite (1963) “Animal Suite“, for male chorus and wind band [10′] (‘Ant-ologie’, ‘Das Perlhuhn’, ‘Das Einhorn’ by Chr. Morgenstern) |
| Opus 79 |
Piccola Musica Concertata (1963) for 3 trombones, timpani and string orchestra [12′] |
| Opus 80 |
Fantasia (Adagio e Allegro) in f minor, K.V. 594, by W.A. Mozart (1963) arrangement for 9 wind instruments [10′] (published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 81+69 |
Sinfonia VI (1963/1961) for orchestra (1st & 2nd movements: Opus 69 (1961); 3rd movement: Opus 81 (1963)) |
| Opus 82 |
Sonata per Violino e Pianoforte (1964) for violin and piano [16′] |
| Opus 82a |
Dans Tes Bras… (1964) “In Your Arms…“, incidental song for medium voice and piano (from: ‘Les Jours Heureux’ by C.A. Puget; score lost) |
| Opus 83 |
Sinfonia VII – Sinfonia Concertante (1964) for 11 wind instruments [22′] (published by Floricor Editions, Aufhofen, Germany) |
| Opus 84 |
Sinfonia VIII (1964) for string orchestra [22′] |
| Opus 85 |
Concerto per Flauto ed Orchestra (1965) for flute and orchestra [21′] |
| Opus 86 |
Quartetto II (1965) for 2 violins, viola and violoncello [22′] |
| Opus 87 |
Fantasia (1965) for 8 wind instruments and harp [10′] |
| Opus 88 |
Concerto per Violino, Viola, Contrabbasso ed Orchestra (1965) for violin, viola, double-bass and orchestra [18′] |
| Opus 89 |
Concerto (1966) for violin and piano [15′] (Schülerkonzert – 3rd position) |
| Opus 89a |
Fantasio’s Lied (1966) “Fantasio’s Song“, incidental song for medium voice (and piano) (from: ‘Fantasio’ by A. de Musset) |
| Opus 90 |
Musica Notturna a Cinque (1967) for harp and 4 violoncellos [14′] |
| Opus 91 |
Concerto per Due Sassofoni Soprani ed Orchestra (1967) for 2 soprano-saxophones and orchestra [19′] |
| Opus 92 |
Canto della Guerra (dal Erasmo) (1967) for mixed chorus and orchestra [22′] (from: ‘Adagia’ by D. Erasmus) |
| Opus 93 |
Musica Sinfonica (1967) for orchestra [20′] |
| Opus 94 |
Concerto per Percussione, Celesta e Strumenti a Corde (1968) for percussion, celesta and string instruments [15′] |
| Opus 95 |
Trio (1969) for piano, violin and violoncello [22′] |
| Opus 96 |
Partita (1970) for wind band [10′] (published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 97 |
Sestetto per Archi (1971) for 2 violins, 2 violas and 2 violoncellos [16′] |
| Opus 98 |
Catena di Miniature (1971) for flute and harp [11′] |
| Opus 99 |
Galathea (1972) song for 1 (or 2) high voice(s) and piano [3′] (‘Galathea’ by P.C. Hooft) |
| Opus 100 |
Concerto per Organo Elettronico ed Orchestra (1973) for electronic organ (Hammond) and orchestra [17′] |
| Opus 101 |
Nonetto per Amsterdam (1975) for clarinet, bassoon, horn, piano, 2 violins, viola, violoncello and double-bass [18′] |
| Opus 102 |
Miniatuur Suite (1975) “Miniature Suite“, for violin and piano [7′] (included in ‘Een suite voor De Suite’ (‘A suite for De Suite’)) |
| Opus 103 |
Bafadis (1977) for orchestra [5′] (published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 104 |
Concerto per Violino, Strumenti a Fiato e Percussione (1978) for violin, 15 wind instruments and percussion [17′] |
| Opus 105 |
Trittico (1978) for chamber orchestra [18′] |
| Opus 106 |
Quartetto per Archi III – ‘Willink-vierluik’ (1979) “Willink Tetraptych“, for 2 violins, viola and violoncello [17′] |
| Opus 107 |
Quintetto per Strumenti d’Ottone (1981) for horn, 2 trumpets and 2 trombones [9′] |
| Opus 108 |
Musica di Catasto: Intrada e Passacaglia (1981) for string orchestra (or: 2 violins, viola, violoncello and double-bass) [13′] |
| Opus 109 |
Marcia Pomposa (1982) for symphonic wind band [6′] (published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 110 |
Sestetto per Gemelli (1983) for flute, oboe, piano, violin, viola and violoncello [20′] |
| Opus 111 |
Duetto per Violino ed Arpa (1984/1985) for violin and harp [13′] |
| Opus 112 |
Tomba (1985) for 4 saxophones [11′] |
| Opus 113 |
Adonias’ Dood (1986) “Adonijah’s Death“, for male chorus and symphonic wind band [18′] (from: ‘Adonias’ by J. van den Vondel; published by Molenaar Edition, Wormerveer, The Netherlands) |
| Opus 114 |
Trio II (1988) for piano, violin and violoncello [13′] |
Opus numbers marked with * have been added posthumously.
Unless stated otherwise, all works have been published by:
Donemus Publishing BV
Rijswijkseplein 786
2516 LX The Hague
The Netherlands
tel.: +31 (0)70 – 2500 786
e-mail: info@donemus.nl
Selected works are available through their webshop: https://webshop.donemus.com/
The composer’s autographs are being kept at the:
Postadres:
Gemeente The Hague
DPZ/HGA
t.a.v. Nederlands Muziek Instituut
Postbus 12620
2500 DL The Hague
Bezoekadres:
Haags Gemeentearchief
Spui 70
2511 BT The Hague
please note: access to archives by appointment only